The Illogical Conclusion: Elmsley and Jordan Counts

The Trick and the Two Counts

Rafael Benatar performs and explains Roy Walton's The Illogical Conclusion : several cards appear to remain constantly red despite the exchanges, until the final revelation changes the interpretation of the entire sequence. The initial performance allows you to appreciate the clarity of the effect before studying its construction.

The lesson breaks down the Elmsley count and the Jordan count separately. It explains packet grip, card separation, edge control, and the differences between the two counts. Afterward, he incorporates them into the complete sequence, along with the setup, initial presentation, and handling of the finale.

Naturalness, Pacing, and Rehearsal

Technical work is accompanied by presentation details: distinguishing the hand that shows the cards from the one that receives them, utilizing actions in transit, and adjusting the angle to the spectator's viewpoint. It explains why showing a packet does not always require reciting the number of cards and how to prevent every grip change from looking like a special preparation.

Benatar suggests exercises to keep a steady hand and link the routine without pausing to recall the next sleight. He also demonstrates a rehearsal at a faster speed as a fluidity exercise; the performance tempo is then adapted to the presentation.

Materials and Requirements

You need a standard deck with white borders and a surface to rest the cards on. Both counts are taught from their mechanics, so prior mastery is not required; however, you should dedicate practice to pushes, alignment, and transitions before performing the routine.