Master Prediction: preparation and stage presentation
Preparing a Master Prediction for the Stage
The Master Prediction presents information that appears to have been sealed away before the audience made their choices. Borja Montón explains how it works, compares different systems, and breaks down preparation and presentation details based on his experience with a version that incorporates a ring.
The masterclass combines explanations with prop demonstrations. The goal is to understand how to structure the routine and build your own presentation, keeping in mind both what the audience sees and the backstage work required to bring it to the stage.
A Prediction with a Purpose Within the Story
The traditional dream-trip presentation is analyzed, along with why an overly exact prediction can draw unwanted attention to a possible method. Borja suggests prioritizing the story and the final effect rather than simply repeating every single spectator response verbatim.
His detective version is used to study the relationship between information, revelation, and the appearance of a borrowed object. Ways to interpret a response and reveal it with humor or progressively are also discussed. The idea is to create a script that fits your character and the rest of the show.
Choosing the System and Staging
Table-style boxes and stands are shown, alongside an adaptation built using a ladder. The explanation covers element compatibility, the size of the box and its contents, closure types, and the limitations of each setup.
Emphasis is placed on testing the reliability of the props: some parts are not interchangeable, and certain closures may react poorly to pressure or impacts. The choice of stand must also have a theatrical justification and allow for natural handling.
A chair alternative for the envelope switch is described, along with a potential portable adaptation. This is an applied concept, not a manufacturing project with blueprints or fixed measurements.
Preparing the Paper and Coordinating the Revelations
Borja demonstrates how to prepare a long prediction, fold it, and lay out the information so it can be revealed in sections. Topics include organizing names and quantities, writing clearly, and making minor phrasing adjustments when an answer shifts from singular to plural.
Coordination with the assistant is a core part of the explanation: listening to the cues, preparing the props at the right time, and getting as much prep work done before the show as possible. In the ring example, the attachment method and how to present it in the final revelation are also discussed.
Signed Envelopes and Initial Presentation
A setup using self-sealing envelopes is explained, discussing when to display the prediction, request signatures, and leave it safely put away until the climax. These details reinforce the flow of the presentation and make it clear what has remained in full view of the audience.
Materials, Requirements, and Scope
To perform the main version, you need a specific Master Prediction system or an equivalent custom box and stand setup, an assistant, and a stage setup that allows you to coordinate their cues. This is not a routine designed to be performed impromptu or as a solo act.
The preparation requires rolled drawing paper, appropriately sized envelopes, self-sealing envelopes, double-sided tape, scissors, and writing materials. The ring variation adds the ring itself and some ribbon. You must purchase or build the equipment separately and rehearse the routine with your assistant; no apparatus or physical props are included.
Principles and details applicable to your own presentation are explained, but the detective script is not taught in full, nor is a complete ring flight. The fold attributed to Copperfield, other Confabulation-style predictions, and a black art version are mentioned as references; they are not taught here as complete routines. No blueprints or downloadable materials are provided.